By Alan Hustak on February 17, 2014
Lucinda Davis is God in the Centaur Theatre’s existential drama The Book of Bob, and she’s divine.
The premiere of Arthur Holden’s updated interpretation of the strained Old Testament parable, The Book of Job, running until March 2, is a toute de force for Davis who is an astonishing presence throughout the 90 minute show. If, as scripture insists, we are created in the image of God, Davis seizes the conceit and infuses ten different characters with her phenomenal talent.
