By Alidor Aucoin on April 23, 2010
The Madonna Painter, The Birth of Painting at the Centaur, is a richly imagined, sacrilegiously macabre, exercise in which playwright Michel-Marc Bouchard delves into long-discarded French-Canadian Catholic ritual and rural ignorance, “the way a flea market hawker displays sacred objects that have been stolen and disguised for resale.”
